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Friday, 27 March 2009

  • Currently
    The Thick Of It - Series 1 [Non-US Format, PAL, Region 2, Import]
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    SAT Prompt: Does being ethical make it hard to be successful?

    A wonderful thing is happening in the world at the moment. That thing is global warming. Or rather, that thing is a reaction to global warming: the reaction to having to make a collective effort to make a global change. This growing sense of social and global responsibility is causing a lot of people to become less enveloped by what was viewed as a ‘me-first culture’ and make changes to their lifestyles for the good of something greater than themselves, something greater even then the human race: to prevent irreversible damage to out planet and its systems.

    Interestingly, this new sense of unity actually makes itself economically viable thanks to its scale and urgency. The millions of people around the world sacrificing a little here and there in the form of spending a little more on sustainable alternatives causes this market to become competitive, and will subsequently drive down the prices of these alternatives. That, in turn, will make the uptake of the alternatives easier and more appealing to those more resistant to making changes. It also allows the alternatives to compete with more conventional products and services, which opens the market, and thus the positive cultural shift towards sustainability, to the significant (and growing) portion of the population for whom financial stability is not taken for granted.

    Does being ethical make it hard to be successful? Yes, to a point. But once ethics itself becomes a major factor in determining success, such as with environmental sustainability, ethics goes from being somewhat of a financial hindrance, to being an extremely valuable and desirable quality to have to your name. Right now, we are in the middle of this shift, and with the current economic state, it is particularly important for us to allow this shift to occur, and to let our society become sustainable

Tuesday, 24 March 2009

  • Currently
    Arrested Development - Season One
    By Jason Bateman, Portia de Rossi, Will Arnett, Michael Cera, Alia Shawkat
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    Watchmen: A Short, Completely Biased Review

    Last year, for my birthday, when hinting for gifts, I requested the graphic novel, Watchmen. I had read a feature in Empire magazine about the upcoming film adaptation, and had a good feeling about it, so decided to read the original work first. I read it slowly, and ended up finishing it the week the movie came out. I was thoroughly impressed, and as my first experience of a graphic novel, it was a good one.

    I went to the film, unsure what to expect. I’d read mixed reviews of it, but it was almost universally praised for its visual style and soundtrack. The most prevalent criticism however was that it was too reverent to the source material. This intrigued me, as it is not a criticism you hear often, so I was all the more keen to finally see this film.

    Finally the opportunity presented itself to see the film, and I went in with very high expectations. I was not disappointed. While not literally being the same as the book, it very clearly portrayed the familiar depression and moral profanity of the world of the original story. It very closely follows the plot, and for the most part only sheds the less important story points. It has an as yet unparalleled visual style, and breathtaking sound design.

    One interesting point is the change of the final ending, or rather, the major event that leads to the resolution of the story. In the interests of spoilerphobes, I won’t spell out the differences here, but suffice it to say that despite the fundamentally changed plot point, the tale’s ending is as shocking and as thought provoking as the original.

    Watchmen is an excellent example of a faithful adaptation, as it captures the true spirit of the story, as well as keeping in tact a large percentage of the twists and turns of the source. An impeccable grace of style leads this to be one of my favourite films in some time, and I have already reserved a spot for it on my DVD shelf

Friday, 13 March 2009

  • Currently
    Fort Nightly
    By White Rabbits
    The Plot
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    'Social' Networking

    Recently, I have begun to feel that I have truly migrated to a digital media diet. I now get all my news courtesy of Google Reader, my casual research from Wikipedia and elsewhere via Google, my instant communication via Meebo and Twitter, my music and film recommendations from Last.fm and Criticker respectively, and a large chunk of my entertainment (and other information) from podcasts. Despite all that, (or perhaps indeed because of all that) I’ve all but lost interest in my dedicated social networking account on Bebo.

    Suddenly, surrounded by all this useful and interesting information, I’ve pretty much abandoned the banalities of social networking and the mindless hours of wading through random people’s pages that go with it. Now if I’m at a loose end, instead of counting the numerous spelling mistakes in the awful quizzes created by pop-culture-obsessed tweens, I can discover a new band in a matter of minutes, read my feeds of the latest news/‘LOST’ spoilers, or idly write a rant-y blog entry like this one.

    Instead of whiling away the hours on online communities created for the sake of feeling like part of a community, it is possible to dip into the internet communities naturally formed by collective interest in subjects like movies, music, science, art, lawn bowls, chinchillas, or anything else which might take your fancy. What I’m really trying to say is that to me, social networking seems redundant. If you want to network socially, go out and meet people “IRL”. As I have observed, internet communities are only effective when they are founded on interests and discussion. General existence is what the real world is for.

    There is something quite tragic to me about creating a ‘digital doppelganger’ to sell to the world in the form of an internet profile. I’m sure social networking sites are founded with the best intentions, but in the cases I’ve seen, they end up being places where people retreat from the harsh light of the real world, create idealised masks of themselves, then call it socialising.

    The way I have come to use the internet is more like using it as a reference than as a proxy for my actual life. I use it to learn and gather information that I then absorb into my everyday life. It is not, however, a replacement for a life. Having a thousand friends on MySpace is no match for having a relationship of any kind in the real world, and I’m deeply, deeply concerned that it is currently far too easy for young people not to understand that.

    As an everyday user of the internet, I obviously have no problem with it. In fact, I think it is a fantastic thing. I firmly believe that people can have good experiences finding fellowship or friendship, and occasionally love online, but those are exceptions. The internet is an information tool, not a replacement for any of the conventional methods of finding those things. It’s like a library. It’s possible that one day you will go to your local library, strike up a conversation with a stranger and end up being lifelong friends, but you don’t go there when you need company.

Monday, 09 March 2009

  • Currently
    It's Always Sunny in Philadelphia: Season 3
    By Charlie Day, Kaitlin Olson, Glenn Howerton, Rob McElhenney, Danny DeVito
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    Why 'It's Always Sunny' Isn't Offensive

    I am a big fan of It’s Always Sunny In Philadelphia, and here’s why: It focuses on what are typically seen as touchy subjects, and rather than finding humour in them or otherwise trivialising them, it finds humour in the self-centered losers who try to exploit them.

    For instance, in the episode ‘Charlie Wants An Abortion’, Dennis goes to a pro-life rally to attempt to pick up women. While this may sound to be in bad taste, the way the show portrays his actions makes it very clear that he is a creep, and that his plan was extraordinarily stupid. This is the main difference between the way this show deals with controversial subjects, and the way other currently popular shows do; this show condemns its characters as sociopaths, while other shows appear to stand by their characters, however objectionable their views or actions.

    There are a few shows around at the moment that, in an attempt to be edgy, or political or clever say outrageous things. The problem is that there is a very fine line between making a good point about society’s views of acceptable behaviour, and blatantly disregarding them. It’s Always Sunny deals with this sometimes by having its characters not know where the proverbial line is (such as in the fantastic exchange regarding the acceptable use of the word ‘jew’), and sometimes by having its characters simply disregard it, with them breaking cultural, moral, and actual laws. However, unlike other so-called edgy shows, in It’s Always Sunny, it always becomes clear to the viewer why it is a bad idea to behave like that; the characters always get their just desserts, whether that be through the police, or more often, delightfully ironic karma.

  • Currently
    It's Not Me, It's You
    By Lily Allen
    22
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    Emo's Cool Older Brother

    The Emo culture (if you can call it that) is an anomaly in a lot of ways, but most recently what’s been bugging me about it is its relationship with hip-hop. Emo has a strange, almost reverential view of the hip-hop canon in much the same way a young child looks at his teenaged, unfailingly cool brother. It’s almost as if, like the younger brother, Emo knows that it will never have the cultural significance of hip-hop. Sure, current subscribers to the trends may look back at it with either a cringe or a chuckle when they’re older, but it will never have been such an integral part to their surrounding culture like hip-hop is to a lot of its fans.

    I turn over to the music channel and I see music videos for mediocre Emo-ish bands, and I see all these references to a culture totally separate from their own, as if depicting other people break-dancing will give them some cultural integrity. It just doesn’t work. Another example is Pete Wentz’s relationship with Jay-Z. They know each other; they probably consider each other friends, as Pete Wentz always makes a point of saying in interviews. But Jay-Z and everyone reading those interviews knows that hip-hop started long before Emo, and that it will be around long after Emo has been forgotten.

    I don’t have a problem with Emo. Some of the music is rubbish, but some of it’s ok. I do, however have a problem with the proponents of Emo taking themselves too seriously, and thinking they have some kind of wider social influence the way hip-hop has.

ThePonderingMinstrel

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